SPUR | Graphic Design and Illustration

Pets and Kids for The New York Times

Joyce Hesselberth

I had a lot of fun putting this illustration together for The New York Times. The article "Can Fido and Whiskers Enrich Children’s Lives?”, discusses whether or not there are real benefits to having pets.

NYT Sunday Review

Dave Plunkert

I did this illustration for the New York Times Sunday Review: Taxmageddon! For Art Director Aviva Michaelov. Written by David Leonhardt. Check out the article online right here.

Playboy

Dave Plunkert

Illustration about the genes that make conservatives attractive to each other. It's in the March issue of Playboy for the article "The Weird World of Politics" written by Neal Gabler. AD: Cristela Tschumy.

 

The Soldier Dreams

Dave Plunkert

The latest Theatre Project poster for Iron Crow Theatre Company's production of "The Soldier Dreams".
Printed 2 color offset on cream cover stock.

Tuned In

Dave Plunkert

Here's my illustration for Runner's World April Issue. You can read the article online right here.

University of Missouri

Dave Plunkert

I made this pair of illustrations for the article "Unsafe at Any Exposure?", which you can read online right here.

Washington Post

Dave Plunkert

Illustration for the feature "A Path Back to Competitiveness". Check out the article online here.

New Spur Stor!

Happy Monday, everyone. We're very happy to announce the launch of our newly redesigned Spur Stor. We've also added a new series of Woodcut Prints by Dave Plunkert: The Galactic Head series. Check it out, and take advantage of free shipping in the United States.

Why the Sea is Salty for McGraw-Hill

Joyce Hesselberth

Here is another book that I illustrated this year for McGraw-Hill. It's called Why the Sea is Salty, and is based off of a Filipino folktale. This story is part of the KinderBound series, which is a 4-week educational program designed to transition preschoolers to kindergarten. 

I had a lot of fun sneaking the little crab into lots of the pictures. He became a mascot, and was used in the workbook that accompanies the story as well. Have a look at a few of the spreads below.

AGI

Dave Plunkert

I'm proud to announce that I was recently accepted as a member of the prestigious Alliance Graphique Internationale. You can view my member page here.

A brief history:

In the 1940s, commercial artists, mural makers, typographers, printmakers, art directors, illustrators and poster designers increasingly realised their common bonds, and the modern profession of graphic design began to be defined. In 1951, five graphic artists - two Swiss and three French - decided to formalise their relationship into some sort of association. Their idea was simply to share common interests and friendships across national and cultural borders.

It was a notion that soon attracted leading exponents of the graphic arts from elsewhere in Europe and in the USA. In 1952 the Alliance Graphique Internationale was incorporated in Paris with 65 members from 10 countries. The first AGI exhibition was held in Paris in 1955 and in 1969 the headquarters moved from Paris to Zurich. Student seminars were introduced in 1979 and the first Young Professional AGI Congress was held in London in 1994.

An explosion of global communications is changing the world. Powered by media like television and the internet, a common visual language is forming as symbols and images become the world's universal vernacular. The original members of the AGI were responsible for creating many elements of this new language. As the world turns, their successors - exponents of the traditional and the new media - are becoming members of the AGI themselves. Today there are around 370 from Africa, America, Australia, Asia, the Middle East and Europe - 32 countries in all.

Membership of the AGI requires reputation and achievement of the highest order and commitment to the processes of visual learning and perception, unfettered by cultural differences. The AGI remains dedicated to the universal aspect of graphic design as a means of communication and information, and its ideals remain relevant to the new world of visual literacy which its members have helped to bring about.

 

Saul Bass at the 1981 AGI Congress in Prague: